The Process of Poring

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The process of poring over your work is full of nostalgia, criticism, angst, and pride.  As an artist, you need to spend time with your work to see what sticks.  Some images that were important to me last year don’t have nearly the same hold now. We constantly create to inspire and inspire to create. Back in January, Tony Rizzuto, from Photographer’s Breakthrough, asked if he could feature me as their February Breakthrough Artist.  I’ve long admired Tony’s imagery and educational work.  He started Photographer’s Breakthrough over a year ago with fellow creative Elizabeth Stone.  It is an amazing online resource to get feedback, listen to critiques, and gain inspiration.

Photographers Breakthrough

I can’t remember the last time I was interviewed, and I was definitely a little bit nervous.  Luckily they sent me their questions via email and I was given a week to reply!  I was asked to submit 40+ images broken into 3 different themes.  The 3 themes I chose all had to deal with Time. Night Visions focuses on my fascination with the night sky. Time Exposed explores the movements and magic of the long exposure – with a heavy focus on my pinhole work. Moving Portraits, a new project, hasn’t been featured on ruinism before.  This is my take on the smaller snippets of time.  I combine these little flip book photos to create mini video vignettes of moments that we might normally pass by.   Soon after all the words and pictures were sent off to Photographer’s Breakthrough; another good friend, Eileen Rafferty, asked if she could feature my work in the winter issue of her magazine, Butterflies and Anvils.  I met Eileen about the same time I met Tony at the Rocky Mountain School of Photography.  Eileen is an inspirational educator that is very fascinated with the process of creativity. Eileen had recently come to speak at the B&H Event Space as well as be featured on B&H’s Photo’s Real Exposures.

B&A Winter

I have been a big fan of Butterflies and Anvils – Eileen’s photographic journal about inspiration and art.  I’m proud to say that I have all 8 issues of this quarterly magazine and was honored to have my work featured in the latest issue. Because I had recently subjected myself to this “poring over” process with Photographer’s Breakthrough, I felt an incredible comfort with my work and where I was going.  Of course that can change on a daily basis, but once Eileen and I got chatting about my images and the process of photography, you couldn’t shut us up!  We talked about various projects, tools, and inspirations for over an hour and a half. Once we had the words, we discussed what photographs would fit best.  I’m very interested to get the magazine and to see how Eileen edited the work.  She did send over the first page of our interview which can be seen below.

Butterflies and Anvils Issue 9 Winter 2013

Issue 9 Winter 2013 of Butterfly and Anvils will also feature more visions, creative writing, seasonal flavors, and general musings on the artistic path from Eileen and her friends.  Issues are printed on demand through HP’s MagCloud and cost $20. HP uses a heavy stock paper and the quality of the journal is very high.  Once you order Butterflies and Anvils, it typically takes 7-10 days to get in the mail. I should have mine next week! So please check out Photographer’s Breakthrough and Butterflies and Anvils and let me know what you think. If you are a Creative, don’t forget take some time to really go through your work.  Make some prints, share them online, hang them on the wall and live with them. Look at what you did 10 years ago, 5 years, last year, and last month. What images still resonate? Keep poring and keep creating.

Night Photography Seminar at Photo Plus

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Will you be in New York next week for the largest Photo Trade Show in the US – Photo Plus?
If so – you should join me and 3 other incredibly diverse photographers for a 2 hour seminar on Thursday October 25th from 4-6pm.
Whether you are new to the night or want to improve your technique, you are bound to gain more inspiration and knowledge from this hand picked panel of night photographers that I am very honored to be a part of.

The seminar is called – Mastering the Night:  From Gaining Access to Choosing Gear to Perfecting Technique and More.

I’ll be breaking down what gear works best to successfully create an image in the many different night environments.  My day job at B&H lets me test a ton of toys and I’ll be bringing that knowledge to the table.  I’ll share with you the benefits and drawbacks to the latest crop of DSLRs and Evil cameras as well as the viability of film cameras that can create longer exposures than digital SLRs.  There are so much gear for photography, but I’ll shine a light on the key accessories that you’ll definitely want to have in your bag when the sun goes down.

Steve Duncan, urban historian and photographer, who documents the unseen infrastructure of metropolises all over the world will be sharing his images and adventures.  He will give us insight into gaining access from unthinkable locations as well as how to safely navigate through tunnels, towers, and aqueducts!  If you haven’t seen the 30 minute film on Steve called UNDERCITY by Andrew Wonder – watch it now.  Urban exploring is dangerous enough, but to film Steve as he leads us through abandoned subway stations, canals, and climbs to the top of bridges is simply mind blowing.

 

Linda Rutenberg, a professional fine art photographer, author of 5 books, and teacher for the last 30 years will bring us gently back to earth.  Linda’s Garden at Night series is ingenious.  By choosing the night time to capture some of the most famous gardens in the world  we are shown a very special time when “plants and flowers possess a kind of luminescent elegance, reflecting light from their surface”.  Her images are surreally sumptuous and she will be sharing her soft lighting tips as well as her story on seeing a project through from inspiration to completion.

 

And finally, moderator Jill Waterman, author of one of the best books on night photography – Night and Low Light Photography will showcase  recent work from the night photography community before opening up floor to discussion.  Jill is the senior editor of the ASMP Bulletin and Editor of PDNedu. Her global series on The New Year’s Eve Project depicts how humans all over the world have been celebrating.

 

I want to thank Jill for organizing this very unique class – Night Photography has been one of the fastest growing photographic genres over the last 5 years and part of the beauty is the unseen mystery of the night.

So come take the next step and be inspired to see better in the night!

Neon Boneyard at Night

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Stop the presses!
I just got word from the Rocky Mountain School of Photography that the Neon Museum is letting students of our workshop shoot in their Neon Boneyard!!!
This is the ultimate photo opportunity to capture the bygone era of Vegas and one of the few times that they have granted access to photographers at night. The Neon Boneyard has over 150 classic Vegas signs from the 30’s-90’s in their 2 acre lot. Lucky for us the boneyard is not electrified, instead Tim and I will help you hone your light painting skills as we shine a new life into these nostalgic signs.

So if you were on the fence about signing up for Vegas to Zion: Dusk to Dawn, Lady Luck has just shined on you!

Night Visions talk at B&H’s Event Space

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For those of you who have never had a chance to see my Night Visions talk at B&H’s Event Space – it is has been recorded and you can now watch this 2 hour lecture at your leisure.

B&H also just published a blog I wrote about Star trails vs Celestial skies.

I give a lot of useful information in the video but nothing beats the experience itself.  Taking a workshop and immersing yourself in the night with someone to guide you is the most successful way to improve your photography.  Oftentimes these Night Workshops offer access to a unique locations that would be impossible to get to otherwise.  The fear of security coming down on you or just fumbling around in the dark is taken out of the equation.  Light painting is often practiced so that you can become more comfortable with it as well as knowing when to use flash over flashlights.  Processing techniques are shared and 9 times out of 10 you will walk away with a unique set of images that you can add to your portfolio as well as inspire you to continue create more night visions.

Good friends and fellow nocturnalists Lance Keimig and Scott Martin made a wonderful 6 minute video about night photography and workshops.  Last year I was invited to speak at the Nocturnes 20th anniversary Night Festival in Mono Lake which offers entry to Bodie National Park, the surreal tufa’s of Mono Lake, and Yosemite.

Another popular Night Photography Workshop is Joe and Troy’s junkyard 3 day workshop.  Their spring class is sold out but you can get on their mailing list for future workshops.

There are still a few more spots open for Tim Cooper and my week-long Vegas – Zion night workshop in March.  I wrote about my experience of shooting 7 straight nights a few years ago and with the Vegas lights and Zion nights this is sure to inspire!

I will also be announcing the Bannerman 2012 Night Workshops, Sleepy Hollow Cemetery Nights, as well as a new historic NY location that Matt Hill and I will be offering in the Spring and Fall by mid-February.  We are very excited about all these locations so stay tuned for more info soon!

See you when the sun goes down!

 

World Wide Pinhole Day – DUMBO Pinhole Walk

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Pinhole hunting season is officially afoot! This Sunday, April 24th is World Wide Pinhole Day, so put aside those multicoated glass lenses and step back in time and try one of the oldest forms of photography. See my previous link for an explanation on what a pinhole is and what types of pinhole cameras are out there. You can adapt any digital camera to take a pinhole body cap or lensbaby pinhole/zoneplate but I find the best images come from homemade pinhole boxes or the beautiful Zero Image teak and brass high end cameras. Pinhole Photography will force you to slow down your process and be more reflective. Average exposures during the middle of a sunny day tend to be 8 seconds. If you shoot indoors you are likely to exposure for hours. The below image is a 2 hour exposure taken yesterday. If you can name all 5 cameras in this image I will send you a $50 B&H Gift Card! Leave your guesses in the comments section below.

This will be the 11th year in a row that the world celebrates WWPD. I was surprised to see that there aren’t any scheduled events in NY, so I have decided to host one! Here are the details for the DUMBO Pinhole Walk:

Where: Meet in front of the Brooklyn Ice Cream Factory
When: 1pm Sunday April 24th – rain or shine
What you need to bring: Pinhole camera, film or digital capture, and tripod.
I will have extra cameras, film, and light meters if you are new to this and want to try it out, but there will be limited quantities and will go to the first arrivals.

From there we will walk and pinhole around Dumbo and Brooklyn Bridge area. This free pinhole photowalk will go until 5pm and we will end back at the Brooklyn Ice Cream Factory for a celebratory scoop!

If you are not in the NY area and want to participate check here to see if there are any events near you or host one!

Click here to RSVP, one lucky attendee will win a signed 1st edition of Michelle Bates “Plastic Cameras, Toying with Creativity

Hope to see you there!