The 8 minute view from Joyce Tenneson’s porch at night.
I’m up at the Maine Media Workshops taking an amazing Black and White Digital Printing Class with George Schaub. Somehow they let me take out the Marshall’s Inks on this image! I highly recommend taking the trek to Maine and immersing yourself in one of their workshops, it really is a special place.
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The f295 kickoff last weekend was a huge success! Thanks to the over 150 people who came out to Saturday night’s 21st Century Photography opening! The work and vibe must have been reminiscent of Stieglitz‘s old Camera Club openings! Thanks also to all that helped put the show together: the artists who shared their work, The Camera Club of NY who gave their 500 square feet, David, Jennifer, and Amy on the B&H organizational end ~ as well as serving up a record amount of kosher wine! And finally, Tom Persinger, who brought us all together and had one heck of a time trying to make letters stick on walls.
Wondering what camera to document the gallery opening with, I finally settled on using my trusty Panasonic LX-3, which is an advanced digital point and shoot. The pioneering Panasonic has a little throwback feature, it has a pinhole scene mode! See, I told you that pinholes were enjoying a renaissance! For some reason the pinhole mode is limited to 3MP images while applying a vignette and desaturating the image. I know it would have been better if the lens could have come off to reveal a real pinhole over the digital sensor but hey, I wasn’t going to get everyone to stand still for 5 hours for the group shot! All the images on the left were taken in this “pinhole mode” while the right hand side shows the packed house for Sunday’s presentation at the B&H Event Space. For the second straight year over 80 people showed up to listen and learn about new ways to use older technology.
We all struggle with keeping our art and life fresh and new. For photographers the terms wedding, portrait, landscape, pinhole, or even alt process can all pigeonhole and limit our vision. Tom Persinger asks us to look beyond these stereotypes and empower the 21st Century Photography:
The 21st Century Photographer remains open to the exploration and use of a variety of processes, techniques, and technologies so long as the chosen method(s) most concisely articulate their creative vision. A net result of this paradigm shift is not only complete artistic freedom but also a palpable sense of empowerment. Historically photography has marched down the long path of process obsolescence – one in which new techniques replace old in a continual cycle of progress. In a 21st Century approach, however, control is wrestled from profit driven agencies -corporations, advertisers, and the marketplace all promoting a consumptive photographic model- and given to the artist/photographer. By virtue of taking the responsibility of control, photographers allow themselves to use a pastiche of tools and materials to make pictures. It is this freedom -which is new for many- that empowers and fuels the 21st Century Photographer.
Photography is a toolbox with many means to express your vision. Some people choose one, others need multiple instruments to complete the vision. This weekend I saw art that was in jars, painted on, waxed, dyed, and printed on anything from the latest digital technology to handmade emulsions on a variety of surfaces from tin, glass, and paper. The photograph that I submitted in the show was originally a 6×9 slide. I was deciding between two basic ways to present my print:
1. Drop it off at a lab and have them make a negative copy of my positive slide and then a C-print
2. Scan the slide and print at home on inkjet.
Now, my good friend and constant conscience, David Brommer, stood aghast when I told him that I I was leaning towards the lab option; mainly for convenience as I am still not 100% confident in my inkjet printing. I’m still most at home in the B&W darkroom. But he reminded me that I had to control the final outcome of my image.
And really, it is all about the process ~ from start to finish.
Now did I enjoy spending close to an hour digitally removing dust from my image?
No.
Is the excitement the same as flipping over the black and white image in the developer under the red light?
Nope.
But, seeing a project from start to finish is still pretty damn fulfilling.
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Today marks the 96th year of my grandmother, Fannie Biderman. I was sad to note that when googling her name, very little comes up. So in celebration of her 96th I’ll start a quick list of amazing moments I’ve had with Fannie, so we can get her on the world wide web for her birthday!
1. Cooking in the kitchen with Grandma, I was two years old and not wearing pants.
2. Dressed in red and riding in her boat.
3. Every SF house she lived in always had a fantastic view.
4. Spending the night at Fannie’s usually meant sleeping in a single bed. Real fun with a significant other! Or better yet with 4 people!
5. The Matriarch of the Biderman/Kuller family.
6. Biking through Golden Gate Park to Grandma’s house.
7. The Grey Panthers.
8. Her wardrobe inspired the White Stripes: black, white, and red.
9. Gallery hopping.
10. Museum shopping
11. Gin
12. More Gin
13. Listening to her “Ohhhhhhhhhhh, your really should…”
14. Riding Public Transportation, as taxis were a waste of money, even at 95!
15. Marching in Protest until she was 90ish.
16. Making Salads in the huge wooden bowl.
17. Through the park, over the hills, to grandmother’s house we go.
18. Watching Nancy and Fannie walk ahead of the Biderherd in Paris and Amsterdam, 1997.
19. Slurping down oysters at the Pacific Heights Bar and Grill.
20. Shopping for clothes in the Castro with the Bartlett sisters.
21. Our fabulous Indonesian dinner in Amsterdam
22. Museum D’Orsay in the rain.
23. Her 5:30am exercises.
24. Barhopping in Amsterdam and San Fran.
25. Seeing her blush as a handsome stranger helped put on her coat in a cafe in Amsterdam.
26. Marching in Protest until she was 90ish.
27. The Bittersweet Chocolate Ice Cream that always seemed to be in the freezer.
28 Chinese food at Yet Wah’s famous spinning table.
29. Fannie mixing up everyone’s names.
30. Her hands.
31. A four hour photoshoot with Noel Snow ~ the 2nd photo featured here.
32. Politics and Fannie.
33. She could eat a burrito faster than me until 5 years ago.
34. Always welcoming all my friends to SF.
35. The Grandmothers meeting again, 11 years ago.
36. Fannie’s 86th Birthday Party at Buca di Beppo.
37. And the 90th with Rochelle, Barbara, and Hans.
38. What?! I can’t hear you!
39. Shopping at Trader Joe’s.
40. Life is a Party with Fannie.
41. The many other photoshoots I put her through ~ anything for art!
42. The hand made birthday cards she would always send.
43. The hearing aid battery sculpture in her living room.
44. Letting me be her roommate when I was 29.
45. Kevin’s interview of Fannie….where is that Kev?
46. She was so cool to show off.
47. The Budweiser cardboard Holiday tree that she let me hang in her house.
48. The family and friends gatherings that we’ve had on her 12th floor.
49 Making old new again.
50. Happy Inauguration Day Fannie, I know you voted.
There’s the first 50! Please share your Fannie experience on this blog as we celebrate her Life at 96!
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Scott Kelby is hosting a Worldwide Photo Walk to celebrate the release of the Lightroom 2.0, probably the best image editing software out there. These Walks are taking place all over the world on August 23rd and I will be leading one in NYC! The Photo Walks are a social photography event to get you out from in front of your computer and behind your camera with a group of like minded folk. Each walk is limited to 50 people, my walk will take us over the Brooklyn Bridge where amazing views of the city and for now, the NYC waterfalls, surround you. We will then meander around DUMBO and end the adventure at the Brooklyn Ice Cream Factory where we can share our work and have a scoop or three! The Photo Walks are 2 hours long and if you don’t see one in your city why not sign up and lead one? All the images will be uploaded and judged by Scott Kelby, with the winning image earning the photographer thousands of dollars in cool prizes! Again space is limited; so click here to sign up and find out more info on Brooklyn Bridge walk.
The International Guild of Pinhole Photographers just released Dark Chambers Volume 2, which features 3 of my images in it! These beautiful textured fine art books are each hand stamped and the produced in England. The name Dark Chamber originates from the Latin, Camera Obscura. This latest volume is over 175 pages and features 200+ inspiring pinhole images by 28 artists from all over the world. The book will be limited and produced in a small run. Dark Chamber volume 2 costs approximately $25 plus shipping and can be ordered from the Urban Fox Press website. or by contacting them directly at info@urbanfoxpress.com.
Also pictured is our newly decorated living room. The coffee table is an amazing wedding gift from my brotherman/groomsman, Angus. He created, crated, and accompanied this work of art out to us in April and assembled it in our house… now that’s what we call service! It features a hidden compartment which flips and reveals a ready to play cribbage board! Anyone game? Behind the table is Nancy’s chaise lounge that she has been transporting across the country for 10 years. 3 years ago she finally reupholstered the chaise with the luscious blue velvet fabric. Prior to the chaise, that same blue velvet covered Sandy on the Frozen Hudson seen below.
Pictured on the wall above the table and chaise is “Sleepless” by France Scully Osterman. Nancy and I fell in love with this image at the f/295 exhibit in Pittsburgh. It was a gift for Nancy for her Birthday and our 2 year anniversary. Sleepless is a 44×50 waxed salt print and was limited to a production of nine. This image is beautifully printed using the 150+ year collodion process. This gives it a lush and tonal depth that you can’t keep your eyes off.
Our Gallery Living Room in Brooklyn is open to the public by appointment only, and you better brush up on your cribbage game!
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| photo by: matt hill |
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| photo by: gabriel biderman |
You know when you meet someone and right away it seems like you have been friends for years??
Are you sure we haven’t met before? You’re waiting for the deja vu to happen as you’ve chosen the same paths but were maybe a few steps to the left or to the right.
I knew I liked Matt Hill the first time we met a year ago, but when we finally sat down for some damn good bbq at Dinosaur before a night shoot, it all fell into place. In between bites of scrumpdiddlyumptious brisket and chicken that we washed down with dark beer, we bonded. Matt and I are both Photo Industry dudes who share a strong passion for being creative, especially at night. Matt had already blown both Nancy and I away with his Cut Paper Art, which starts out as a blank piece of white paper that he slices into amazing voyages of creativity. It is truly a complete process of discovery for him and yet very accessible for us. You can check him out “in action” here. His website showcases his weekly cut paper art journeys as well as his “On Creativity” podcasts in which he interviews other artists regarding their creative process. For some of us, it comes naturally, others struggle for inspiration. However, listening to Matt’s podcasts On Creativity have made me think and focus more on my photography; the patterns, the inspirations, and the desire that fuels me.
So after feeding our stomachs with bbq and souls with good conversation, we took our tripods and cameras out for a nightshoot. We started out at Ulysses S. Grant’s tomb at Riverside Park on the Upper West Side and then worked our way down to the familiar 69th St Transfer Bridge. Everything was fairly accessible on this May full moon and we had to stop ourselves from shooting by 1am. Matt got some pretty amazing B&W images using his Mamiya 7 camera with the beautiful 43mm lens. I really like the B&W image featured here, the movement of the clouds on top and the calm reflections of the water on the bottom of the image bring a moving calmness to the image.
I was using a Baby Graflex 2×3 camera for the first time at night and had film backs loaded up with color and black and white. My Baby G camera is a miniature version, using medium format film, of the famous Graflex Press cameras that Weegee and all the newsies used back in the 30’s-60’s.
These beautifully utilitarian cameras use 4×5 film and have very basic swing and tilt movements. The baby Graflex uses 6×7 and 6×9 medium format backs and mine is custom fit with an amazingly fast and sharp Rodenstock 90mm 2.8 lens. I hadn’t used it for a while and I was worried about focusing the camera in the dark of the night. In order to selectively focus with this camera you look through the graflok back, which is a 6×9 piece of glass surrounded by a pop up hood. I brought a loupe along to aid in viewing but I didn’t really need it. All I needed to do was use a bright flashlight to light up the area I wanted to focus on and then switch out the glass back for a b&w or color film back and voila! Image created! I was also using my ricoh grd which produced my winning picture of the night featured here, and a Voigtlander Bessa R with a 60 year old leica lens. Matt and I were also testing out our latest gear acquisitions, our Induro carbon fiber c214 tripods with the dm01 ballheads. Though not as silky smooth as a Gitzo, I do highly recommend the Induro line, which offers great value for the price. I especially like the DM01 ballhead, which is rated to hold 17lbs and is very simple and smooth to use.
To see more of Matt’s photos from the nightshoot click here
And more of mine can be seen here
See you in the night!